0 _0 s3 A6 P3 ]% J緣起是安哲羅普洛斯覺得艾里斯的電影與背景跟自己很相像，西班牙是內戰與佛朗哥，希臘二次大戰時，先是意大利的法西斯，繼而是納粹的德國，然後是獨裁者Metaxas（《遊唱藝人》）。安氏的家庭就是在左右派的意態下被撕裂，《悲傷草原》有著淋漓盡致的描寫。在兩大陣營的角力下，到底「人」在哪裏，是安氏不斷拷問的問題，我父母親的家庭也是這樣的被撕破，那一輩的多少人，不分種族，多多少少是時代的受害人，他們的群像，構成了二十世紀的哀歌。萬萬料不到，新世紀的安哲羅普洛斯可能也是這個困局的直接受害者，他變成他電影裏故事的主人翁。 1 L8 {+ i$ }$ Y, v" E4 s4 NTVBNOW 含有熱門話題，最新最快電視，軟體，遊戲，電影，動漫及日常生活及興趣交流等資訊。 % o7 h; q, ~! y. d/ B; { kTVBNOW 含有熱門話題，最新最快電視，軟體，遊戲，電影，動漫及日常生活及興趣交流等資訊。有問TheOther Sea怎樣埋尾，我們不知他拍了多少膠卷，不過電影是作者內心世界的呈現，前、中、後期太多變數，基本上沒有人可以替他作主，鑑於奇斯洛夫斯基的前車，替補完成亦不是那回事。 ; B. v+ m9 M" [" T" }$ Y ; w' b# X! y! F* v- t對於藝術家而言，沒有東西比不能完成工作更可悲、更不甘心了。死不瞑目，就更是放不下，可是我們不能像《獵人》般對屍首視而不見。套用一句Ken Loach在《土地與自由》的對白﹕「We can't let it pass!」5.39.217.766 K9 m; s6 I: Q2 L
TVBNOW 含有熱門話題，最新最快電視，軟體，遊戲，電影，動漫及日常生活及興趣交流等資訊。* {! o0 u( v# G$ s \
安氏在最後的訪問裏談到，現存經濟危機的癥結不在金錢，而是缺乏核心價值的問題，而安哲羅普洛斯的死亡說明，這個世界容不下一個把真話說得動聽的導演，正正就是最核心的核心價值問題。 ' F1 [8 M' G1 y8 {- Ytvb now,tvbnow,bttvb ( U. a- ^) q, p9 ^" o- L2 t在朦朧的冬日，一邊聽著Eleni Karaindrou的配樂，一邊寫這悼文，幾乎潸然淚下，沒有心情談電影，願在沒有「太陽」的國度，你我得到溫暖。作者: felicity2010 時間: 2012-1-29 07:34 AM
本帖最後由 felicity2010 於 2012-1-30 01:28 AM 編輯 公仔箱論壇; x& f1 T- U/ ]5 P$ s7 f
TVBNOW 含有熱門話題，最新最快電視，軟體，遊戲，電影，動漫及日常生活及興趣交流等資訊。2 B# N( l& J' N3 \! {5 Q: x Theo Angelopoulos obituary 6 F. K. l- k' {TVBNOW 含有熱門話題，最新最快電視，軟體，遊戲，電影，動漫及日常生活及興趣交流等資訊。 3 P# b1 r! N! EFilm director with a magisterial style who excelled at historical and political allegories公仔箱論壇+ K. }; [; C7 ^ o# k
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) C9 n& G, |2 l8 f! N' @& {! GTVBNOW 含有熱門話題，最新最快電視，軟體，遊戲，電影，動漫及日常生活及興趣交流等資訊。The Greek film director Theo Angelopoulos, who has died aged76 in a road accident, was an epic poet of the cinema, creating allegories of 20th-century Greek history and politics. He redefined the slow pan, the long take and tracking shots, of which he was a master.His stately, magisterial style and languidly unfolding narratives require some (ultimately rewarding) effort on the part of the spectator."The sequence shot offers, as far as I'm concerned, much more freedom," Angelopoulos explained. "By refusing to cut in the middle,I invite the spectator to better analyse the image I show him, and to focus,time and again, on the elements that he feels are the most significant in it." 1 }7 \$ q- @( K; Y9 G5 H) ]8 ~5.39.217.76 ; d5 G7 s+ i7 Y& x5 D9 ^4 `. t. T4 Vtvb now,tvbnow,bttvbAngelopoulos was born in Athens,where he studied law. After military service, he went to Paristo attend the Sorbonne but soon dropped out to study at the IDHEC film school(now known as La Fémis). Back in Greece, he worked as a film critic for the leftist daily Allagi, which was closed down by the military junta that came to power in 1967. The seven-year regime of "the colonels" was seared into his consciousness and remained a subject –overtly or subliminally – throughout his oeuvre.5.39.217.766 a: f6 d# \/ w, b9 j. r
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His elliptical style was born partly out of the restrictive atmosphere of the epoch during which he managed to make his first feature,Reconstruction (1970). Shot in spare, high-contrast black and white, it was about a Greek migrant worker who returns from Germany and is murdered by his wife and her lover. It was immediately clear that the director was less interested in the crime story than the ideological,individual and collective implications of the murder inquiry.tvb now,tvbnow,bttvb$ p# U" W% V8 e7 M+ M" t2 \
TVBNOW 含有熱門話題，最新最快電視，軟體，遊戲，電影，動漫及日常生活及興趣交流等資訊。9 j+ e+ }$ y1 k# R. R! q/ \
Angelopoulos then emerged on the international scene with his impressive historical triptych, Days of '36 (1972), The Travelling Players (1975) and The Hunters (1977), the most ambitious Greek films to date. Shot by Giorgos Arvanitis, the cinematographer on almost all of Angelopoulos's films, they are long, contemplative studies of modern Greek history.tvb now,tvbnow,bttvb( f# q$ ]) v; [5 R! {3 _, \0 ^/ S- U* x
( v; J( B5 C$ x8 D2 n公仔箱論壇Days of '36, based on actual events, tells of a man arrested for the murder of a trade unionist. Protesting his innocence, he holds a politician hostage in his cell, threatening to kill the man, and himself, unless he is released.The film subtly undermined the military regime in its portrayal of official incompetence. Given its physical confines, and the fact that the prisoner remains out of sight for much of the time, the high level of tension is a real achievement.TVBNOW 含有熱門話題，最新最快電視，軟體，遊戲，電影，動漫及日常生活及興趣交流等資訊。4 A9 N; D0 W3 V
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In The Travelling Players, set in 1952, a troupe of actors recall Greek political history and their own personal histories since they last visited the country, in 1939. Nearly four hours long, the film consists of just 131shots, allowing the audience time to assess the situation rationally. The Hunters follows the eponymous group across a snowy mountainside in northern Greece as they come across the body of a Greek guerrilla fighter killed in 1949. At the subsequent inquest, each member of the group, as well as various peasants and workers, speaks of his experience of the civil war and the years that followed. Shot in pastel shades, the film slowly unravels the various strands in this inquisition of the right, using dream, memory and fantasy, and the powerful symbol of the corpse as the silent accuser.公仔箱論壇" M8 o4 u% ` W9 B. Y5 b* K
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In Voyage to Cythera (1984), the first of what Angelopoulos called the "trilogy of silence", an old man who fought with the communists during the civil war returns to Greece after more than 30 years' exile in the Soviet Union. He attempts to come to terms with his country and his wife and family, whom he hardly knows. The second, The Beekeeper (1986), was the first of Angelopoulos's films to use well-known actors, in this case Marcello Mastroianni as a morose,retired schoolteacher who sets off on a trip around the beehive sites of Greece,picking up an enigmatic young female hitchhiker on the way.5.39.217.76' Q' Q% I$ c1 X/ B$ R) O, Z
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This compelling film could be called a metaphysical road movie, as could Landscape in the Mist (1988), the third in the sequence and the first of his films to feature children. Here, a 14-year-old girl and her little brother embark on a journey to find their father, whom they believe to be in Germany.In fact, it is an existential odyssey, a voyage towards the unattainable.5.39.217.76( g' P v& U# y3 c7 Y/ i! E
Harvey Keitel starred in Ulysses' Gaze (1995) as another character who returns to Greece from exile. He is a film-maker, back from the US,seeking some lost reels of films made by two famous Greek film-makers during the silent era. The film won the grand jury prize at Cannes.Uncharacteristically, Angelopoulos expressed his disappointment that it did not win the Palme d'Or. He told a shocked and suddenly silent audience: "If this is what you have to give me, I have nothing to say," before walking off the stage without even posing for pictures.TVBNOW 含有熱門話題，最新最快電視，軟體，遊戲，電影，動漫及日常生活及興趣交流等資訊。' d# F" ~0 N( j4 ]9 P9 w: [
4 \/ X0 K# E- }7 O& N公仔箱論壇Cannes made amends three years later when Eternity and a Day (1998) won the festival's top prize. The film is a philosophical meditation about a dying writer, played by Bruno Ganz, and his thoughts on family, art and mortality. Angelopoulos executes the transition between present and past brilliantly, gliding easily between uncertain reality and nostalgia. \; |8 ?7 B$ B+ d8 {9 |5 `, p) Wtvb now,tvbnow,bttvb+ e; D$ p/ T3 y' }4 S2 i8 w, Z
The Weeping Meadow (2004) was the first of what Angelopoulos planned as a trilogy. The mytho-poetic dimension of the film – a magical fusion of colours,sounds, music and images which expresses the deepest feelings surrounding life and death – is linked, as usual, to a strong political and social context. The film spans 30 years of Greek history, from the exodus of the Greek colony in Odessa under the threat of the Red Army in 1919 to the end of the civil war in 1949. " S" ]; }8 a$ }) I7 r/ ] 7 Q+ Q7 Z6 p; Y. Q: r( t% |9 |The Dust of Time (2008) covered the second part of the 20th century,venturing outside Greece for the first time. The Greek-German-Italian-Russian co-production, mainly in English, had all the makings of a Europudding, albeit one made by a master chef. Not all these fears were allayed. The Dust of Time is a fin-de-siècle drama, a cry of pain derived from the wounds inflicted during the previous century.公仔箱論壇: R2 d& a: v+ @ u, W
! ~ w1 S1 q8 ]TVBNOW 含有熱門話題，最新最快電視，軟體，遊戲，電影，動漫及日常生活及興趣交流等資訊。Angelopoulos's latest film, The Other Sea, was to be about Greece's financial crisis. While filming in Athens' main port, Piraeus, he was in collision with a motorcycle as he crossed a road. He died later in hospital.5.39.217.76% T4 r+ _9 B6 k7 } @
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He is survived by his wife, Phoebe, and three daughters. & _' k, A( u3 \# v4 b5.39.217.76 ; m$ y% b1 x/ J8 F! F& K$ }3 ]: Q1 a* q• Theodoros Angelopoulos, film director, born 27 April 1935; died 24 January 2012 ( z+ x$ S6 G( {. u& V5 F公仔箱論壇 5 s/ q q5 h5 {* Q9 [- i6 }6 ^; c公仔箱論壇tvb now,tvbnow,bttvb5 q) I) R6 ^* \0 }
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Theo Angelopoulos' first feature, The Reconstruction (1970), draws on the real-life murder of a Greek worker (Yannis Totsikas, left) in Germany by his wife (Toula Stathopoulou) and her lover (Michalis Fotopoulos). The murder story, and its 'reconstruction', becomes a parable for the disruption of a community and a nation – Greece was under military rule at the time. " ]; K8 k, ~; H* t/ j4 _1 |6 j; g) a5.39.217.76 & W" ^/ ] l6 e9 c" y% K5.39.217.76 - D- s8 E& M& Y+ N# F3 I- ~6 }TVBNOW 含有熱門話題，最新最快電視，軟體，遊戲，電影，動漫及日常生活及興趣交流等資訊。[attach]1575845[/attach] 0 Q- \3 `8 p/ b! h# ?tvb now,tvbnow,bttvbAngelopoulos' second film, Days of 36, was set during Greece's tumultuous interwar period, when unstable governments alternated with military coups with alarming regularity. Days of 36 focuses on a politically sensitive hostage situation, which Angelopoulos uses to lay bare the state's fragmentation as Metaxa's fascist dictatorship loomed.* j6 D6 ]2 e5 }! @
1 C- h- c' ?' B, E3 a公仔箱論壇 ) s! R* A7 [- Y, y/ `. `- P[attach]1575846[/attach] ! o7 [1 `* ^! l7 r* j! e! _5.39.217.76Angelopoulos' last completed feature was 2009's The Dust of Time, starring Michel Piccoli, Willem Dafoe and Irene Jacob. Dafoe takes on the Keitel role of a Greek-American film-maker; Jacob is his mother Eleni, a woman who manages to reunite with her husband Spyros (Piccoli) after deportation to a Soviet labour camp.作者: felicity2010 時間: 2012-1-29 07:55 AM
黎佩芬: 安哲羅普洛斯會如何定鏡香港+ }1 ^4 v6 o# H9 g; {6 A' _ q/ j' \0 m
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. Q8 x- J+ x" X% t8 s3 l. Ktvb now,tvbnow,bttvb新正頭霧氣很重，又濕又凍，初三起脇即收到家明電郵說，安哲羅普洛斯死了……怎可以這樣，我實在很期待看他的「希臘三部曲」最終章，想看他要如何用詩化的畫面和個人化的電影語言，還有如何的故事，去寫這個被金錢和私慾敗掉的國家。他是如此心繫他的國土。太可惜了。四維出世寫來一篇深情的悼文，到尾後提出一個陰謀論，叫人心寒。老編梁一看就說，想起Costa Gavras的電影Z（中譯《大風暴》），描寫六十年代軍政府統治下的希臘，政治暗殺橫行的時期。我就想起，導演死前說過，希臘現在最缺的不是錢，是核心價值。5.39.217.76" L4 @9 d I" a$ p6 d# }
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我最記得電影中的霧景，迷離淒美然後一記冷槍，叫人心碎。何倩彤明顯記住了倒下的列寧像緩緩在長河中流過的經典長鏡頭，她的筆下，列寧換成安導，兩岸是歷史和現代。如果安導拍香港，拍這片土地和人，他的凝鏡會定在哪兒？中港身分矛盾熱議的喧囂中，寫小說的紅眼寫蝗蟲，這裏，蝗蟲不是一些人指的「某些內地人」，而是一場「人吃人、狗咬狗」之災害。沈旭暉今期有《致煲呔書》，痛陳利害，籲請煲呔正視此災，不要只在面書問問學者意見就算，應坐言起行做番個「香港仔」。他能否變身幪面超人？ 5 b' l/ ]+ `5 U# Y- k0 C2 Atvb now,tvbnow,bttvb$ s% D$ H8 G- G
恰好有讀者來郵問香港所謂的核心價值係乜傢伙。香港最重要不是錢多，而是香港人對美好信念的堅持，不是嗎？
